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・ Artemisia cana
・ Artemisia carruthii
・ Artemisia chamaemelifolia
・ Artemisia cina
・ Artemisia douglasiana
・ Artemisia filifolia
・ Artemisia franserioides
・ Artemisia frigida
・ Artemisia furcata
・ Artemisia Gentileschi
・ Artemisia Geyser
・ Artemisia glacialis
・ Artemisia globularia
・ Artemisia herba-alba
・ Artemisia I of Caria
Artemisia II of Caria
・ Artemisia lactiflora
・ Artemisia longifolia
・ Artemisia ludoviciana
・ Artemisia maritima
・ Artemisia michauxiana
・ Artemisia nesiotica
・ Artemisia norvegica
・ Artemisia nova
・ Artemisia of Caria
・ Artemisia orientalixizangensis
・ Artemisia packardiae
・ Artemisia pallens
・ Artemisia palmeri
・ Artemisia papposa


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Artemisia II of Caria : ウィキペディア英語版
Artemisia II of Caria

Artemisia II of Caria (Greek Ἀρτεμισία; died 350 BCE) was the sister, the wife, and the successor of Mausolus, ruler of Caria, who was nominally the Persian satrap; Mausolus enjoyed the status of king or dynast of the Hecatomnid dynasty. After the death of her brother/husband, she reigned for two years, from 353 to 351 BCE. Her administration was conducted on the same principles as that of her husband; in particular, she supported the oligarchical party on the island of Rhodes.
Because of her grief for her brother-husband, and the extravagant and downright bizarre forms it took, she became to later ages "a lasting example of chaste widowhood and of the purest and rarest kind of love", in the words of Giovanni Boccaccio.〔''De mulieribus claris'' ("On Famous Women"), (Chapter 57 ), translation by Virginia Brown, Harvard University Press, 2003, ISBN 0674011309, 9780674011304〕 In art she was usually shown in the process of consuming his ashes, mixed with drink.
==Life==
She is renowned in history for her extraordinary grief at the death of her husband (and brother) Mausolus. She is said to have mixed his ashes in her daily drink, and to have gradually pined away during the two years that she survived him. She induced the most eminent Greek rhetoricians to proclaim his praise in their oratory; and to perpetuate his memory she built at Halicarnassus the celebrated Mausoleum at Halicarnassus, listed by Antipater of Sidon as one of the Seven Wonders of the Ancient World and whose name subsequently became the generic term for any splendid sepulchral monument.
Polyaenus, in the eighth book of his work ''Stratagems'', mentions that when Artemisia (he may have been referring to Artemisia I, but more probably Artemisia II) wanted to conquer Latmus, she placed soldiers in ambush near the city and she, with women, eunuchs and musicians, celebrated a sacrifice at the grove of the Mother of the Gods, which was about seven stades distant from the city. When the inhabitants of Latmus came out to see the magnificent procession, the soldiers entered the city and took possession of it.〔(Polyaenus: Stratagems- BOOK 8, 53.4 ) "Artemisia planted soldiers in ambush near Latmus; and herself, with a numerous train of women, eunuchs and musicians, celebrated a sacrifice at the grove of the Mother of the Gods, which was about seven stades distant from the city. When the inhabitants of Latmus came out to see the magnificent procession, the soldiers entered the city and took possession of it. Thus did Artemisia, by flutes and cymbals, possess herself of what she had in vain endeavoured to obtain by force of arms."〕

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